![pluraleyes 4 avid pluraleyes 4 avid](https://www.provideocoalition.com/wp-content/uploads/PE4_ICON-1024x720.jpg)
To decide where to put the audio clap, we have to examine that blurred image carefully. The waveform of the clap is lined up at the head of frame two. Check the images below (click to blow them up). So the slate hit somewhere between those two exposures. We make the assumption that the camera is making its exposure in the middle of each frame. That’s the standard situation - no ambiguity, no blurred images. In the first frame, the slate is clearly open, in the second it’s clearly closed, and in the third, it’s closed, as well. Only with that context can you understand what happened at the slate closure. Here’s my interpretation.įirst, you can’t sync properly without checking at least three frames - the frame where the slate closes, the frame before it, and the frame after it. When we worked with film there was plenty of debate among assistant editors about this. How you handle them is crucial to good sync. That’s trivial, right? You just line up the visual slate closure with the sound clap and you’re all set. It comes with a couple of other minor limitations, as well, but I used it successfully on my last Red show, and wouldn’t want to be without it.Įither way, you’ll have to check every slate by eye. You have to turn on film options when you first create your project - even if you never plan to touch a frame of film. Perf Slip is slick and quick but it comes with some limitations. Second, and even better, you can use the Perf Slip feature to sync to the nearest 1/4 frame. Then mark the slates and autosync to merge them again.
![pluraleyes 4 avid pluraleyes 4 avid](https://pbs.twimg.com/media/D4HN-fwXsAEF11X.jpg)
If your clips are pre-synchronized, load them into the source monitor, select video or audio and subclip to separate picture and sound. First, you can use Autosync to merge audio and video clips. Media Composer allows us to sync in two ways.
![pluraleyes 4 avid pluraleyes 4 avid](https://img.youtube.com/vi/fi4gJZKk2Pc/0.jpg)
If you’re in sync there, you have a shot at staying in sync further down the food chain. This takes time, but sync starts with dailies. In my editing rooms, we always check sync using slates, and resync if necessary. The result is that picture and sound slowly drift out of sync. Production is supposed to jam (synchronize) their clocks several times a day, but in the heat of battle that doesn’t always happen. It doesn’t take much drift to put you out of sync a frame or two. But this inevitably involves two clocks, and that means they are subject to drift. Doesn’t timecode make all that trivial? Yes, with digital cameras, automatic syncing is standard practice. You don't want people to rip off your work, we shouldn't be ripping off theirs.In 2011, hand syncing of dailies seems downright anachronistic. Sunday Sunday Job/Career Advice ( for the past month) Are you new to editing?ĭiscussion or advocacy of piracy is prohibited. Thursday Tip Thursday ( for the past month) Wednesday Assistant Editor Wednesdays ( for the past month) Monday: Megathread Mondays [ for the past month)
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Having a problem: Be specific about your setup, software and footage.If you want to post a job, we expect you to quote some sort of pay - hourly, daily, weekly etc.No posting of your services, or that you're looking for work.This is a subreddit for people who make their living in the field (or are trying to.) If you want to know what software to use.go to /r/VideoEditing.Then be specific about the type of feedback you want. Feedback: do it somewhere other than facebook or YouTube.Imagine someone else is having a bad day. Generally we're not a place for you to advertise your work, and we expect everyone to be civil and generally not act like a jerk. For people that get paid to edit film, video, television, etc.